“The city government decided to put portable toilets along the wall,” said Fujimoto. Fujimoto himself felt that adding the curtains enlarged the original idea of the house: “I feel as a space I prefer the situation with the curtains, because it’s more human, and it is increasing the concept of the house.” Given the possibility of a new kind of openness, the owners of the house instead found a new kind of privacy.
It’s extremely public on the outside but extremely private on the inside,” said Fujimoto.
In exploring the contradictions between private and public, interior and exterior, constructed and natural, Sou Fujimoto has offered his own definition for what design should be.So he took up residence in the Tokyo neighborhood of Nakano, near the university, living alone and doing nothing for six years.
It remains unclear why it would be valuable to mimic the shape of a tree in a housing proposal, specifically this housing proposal — except simply to break the idea of the tower block. L’Arbre Blanc (White Tree) is the name of this new multipurpose tower which, in its overall design, pays tribute to the tradition of “outside living” in Montpellier.
“It’s a 100-year-old park.
People; Projects. It was with this work that he began to fashion his distinctive, highly allegorical approach to design. “At first, the forest itself is perfect, but we had to translate this into architecture.” The result is a transparent, airy space that blurs the lines between indoors and out.Collaborating with Manal Rachdi Oxo Architectes, Fujimoto has designed a floating green village that will rise in Paris’s 17th arrondissement. That’s why I’m here tonight!” he joked.“A public toilet is an interesting thing for architects. When it comes to materials, Japanese maverick of modernism This style has been applied to great, provocative effect in both private commissions — as in the outlandish From Asia to Europe and back again, take a virtual tour through some of the most diverse projects emerging from Fujimoto’s studio, as we look at how the Japanese firm is harnessing the properties of a plethora of different materials to produce some truly striking contemporary architecture.Recently completed on a harbor front in the Kagawa prefecture of Shikoku, Japan, Fujimoto’s temporary pavilion has been designed as part of the Setouchi International Art Festival, held every three years on 12 islands of the Seto Inland Sea. Publicity images of the house are extraordinary advertisements for a radically open vision for a single-family home, with one woman, dressed in white, sitting on one white platform, gazing up at a man, dressed in white and blue jeans, on a slightly elevated floor behind her, while another person, also dressed in white, sits on the stairs, seeming to converse with another woman in the kitchen, the whole scene illuminated by abundant light streaming through the many-windowed semi-facade.In conceiving the house, Fujimoto cited the limitation of the small plot (578 square feet) and the desire for the client to have a nontraditional house: “As a plot, it’s too small, so that if you just put living, dining, kitchen, one bedroom, one bathroom, it’s just a small, normal house, and obviously the client didn’t like those normal typologies of the house.” Their conversations revealed a fairly familiar set of concerns around contemporary houses: that no particular activity corresponded to one particular room. Our contemporary architecture tour in Japan. Exhibition spaces, a theatre and performance areas, co-working spaces, and a restaurant and rooftop bar will be open to the public, while a gym and terrace will be exclusively for members. Fujimoto’s vision for the new Ishinomaki City Cultural Center calls for a single structure that evokes the feel of a cluster of buildings.
The clients installed curtains to block out the windows as well as to separate spaces within the house, which they did fairly often. Sou Fujimoto Ecole Polytechnique in Saclay. But it is House NA, built in a pleasant, single-family-home-dominated neighborhood in western Tokyo in 2011, that is Fujimoto’s most characteristic and impressive residential project.
Sou Fujimoto L'Arbre Blanc. Once built, the 108,000-square-foot complex will be utilized by 150 staff and 2,000 students — the building is set for completion at the end of 2018.Situated in the village of Panyu, on the rural outskirts of China’s third-largest city, Mirrored Gardens combines two programmatic typologies that are rarely associated with one another: art and agriculture.The brief called for an experimental space for contemporary gallery In attempting to answer these questions, Fujimoto created a “micro-village,” situating a number of small exhibition buildings around a central garden that acts as an incubator for farming and germination. Fujimoto needed to design a house, in other words, for the internet age.So he took the same idea of “many different corners,” and the attraction and repulsion of other people and their spaces that he had articulated in the Children’s Center, and came up with a house that seemed like an unstacking of nested furniture, connected by steps (which also doubled as seating areas).
"The Collective's mission of creating space that enables people to lead more fulfilling lives resonates strongly with my practice," said Fujimoto.
Comments. "We've been humbled by his cultural curiosity and his design vision for this project.
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