Directed by Roberto Rossellini • 1966 • France Starring Jean-Marie Patte, Raymond Jourdan. This list is the Letterboxd version of The Oxford History of World Cinema. TMDb Part history lesson and part political treatise, it is a strange and fascinating film with exacting attention to sets and dress and realities of the period. 1,000 Greatest Films of All Time – 2021 Edition, The 1001 Greatest Films, ranked as objectively as possible, The 100 Greatest Documentaries, ranked as objectively as possible, Martin Scorsese's Film School (The 85 Films You Must See to Know Anything About Film + 39 Foreign Films Every Young Film Maker Must See). Mobile site. Movie #17 in my Journey Towards Entry-Level Cinephilia. See the full list of The Taking of Power by Louis XIV cast and crew including actors, directors, producers and more. The Taking of Power by Louis XIV dares to place a larger-than-life figure at the level of mere mortal. SPECIAL EDITION FEATURES: New, restored digital transfer Taking Power, a multimedia essay by Tag Gallagher, author of The Adventures of Roberto Rossellini The Last Utopia, a documentary about Rossellini s late career More details at Mazarin's fiscal advisor, Colbert, warns against Fouquet, the Superintendant who has been systematically looting the treasury and wants to be prime minister. Costumes and settings are extremely neat. The nervousness of the office clerk who plays a monarch translates as cool aloofness, and his monotone reading of lines held off-camera for his aid gives Louis' words the power of…. And, yet, you do learn something. Trailer. The death of chief minister Cardinal Mazarin, the construction of the palace at Versailles, the extravagant meals of the royal court: all are recounted with the same meticulous quotidian detail that Rossellini brought to his contemporary portraits of postwar Italy. Sparse but valuable. In an odd way this really humanized Louis as it made him feel human rather than larger than life. With Jean-Marie Patte, Raymond Jourdan, César Silvagni, Katharina Renn. Louis XIV weaponizes swag to become the state. A world where the nobility festers in unwashed clothes, sweat and unemptied chamber pots even as a king plots to consolidate power through a prison of vanity. The story begins in March 1661, with the death of Cardinal Mazarin, who had run France as chief minister for nearly twenty years. Rossellini allows for a scene to have distance from urgency, letting whatever thesis proves strongest to appear. ... Who knew a movie about the Sun King Louis XIV could be so boring! The Rise of Louis XIV is an interesting film. Directed by Roberto Rossellini. The story and characters that operate in this world are also great. I could have gone for a little less Machiavellian scheming from Louis but that dinner scene was first rate. Whether it be the treasurer or even his own mother, nobody expected Louis to grow up and take charge. Hoy, el nefasto Nicolas Winding Refn es el que dice "el cine ha muerto, viva la televisión". Review by Daniel. As always, he yearned to show life’s minutiae unadorned, bare and pure. The world that the story takes place in is so alien that Rossellini understood it would be futile to try and make that long gone world of pageantry and monarchies understandable to the modern person. Filmmaking legend Roberto Rossellini brings his passion for realism and unerring eye for the everyday to this portrait of the early years of the reign of France’s “Sun King,” and in the process reinvents the costume drama. I haven't seen most of these movies.…, gabriel guimarães? Matter-of-factly laying out 'this is how I'm going to use lace to take over the world,' and looking not-great in lace but going all in anyway, and it totally worked. 1,510 films 8,174 134 Edit, juliodogpit 1,001 films 12,945 557 Edit, UPDATE--------------------------------------------------------------------------, Check out also: The 100 Greatest Documentaries, ranked as objectively as possible The 100 Greatest Directors The 100 Greatest…, Jayce Fryman 18,680 films 3,513 115 Edit, This list collects every film from the Starting List that became They Shoot Pictures Don't They's 1000 Greatest Films. It's drier than the most dry French wine. The movie, on the other hand, looks just fine and, if you enjoy the high doings of those convinced they are our betters, interesting. Synopsis. Film data from TMDb. A founder of Italian neorealism, Roberto Rossellini brought to filmmaking a documentary-like authenticity and a philosophical stringency. I really liked how flat the actor playing Louis XIV was. The Taking of Power by Louis XIV. Show All… She reports this to the king who arrests Fouquet. The non-professional actors (especially the guy playing Louis) keep it Brechtian with ice cold emotionless delivery, which beautifully compliments the vapid life of the royal court. Imagine flipping through channels and stumbling upon a new Rossellini film that examines the tumultuous time of Cardinal Mazarin’s (Giulio Cesare Silvagni) death, the resultant power vacuum, and King Louis XIV (Jean-Marie Patte) unexpectedly deciding to finally rule. Mazarin's fiscal advisor, Colbert, warns against Fouquet, the Superintendant who has been systematically looting the treasury and wants to be prime minister. It's Marxist in that it's about the change in social conditions that brought about the decline of the aristocratic land holding class in ancien regime France. I'm used to thinking of old time-y royals as fancy over-the-top people, so this is a really interesting take on them. this is the movie that captures that feel. If you admire the cinematography and staging of Barry Lyndon you should really take a look at The Taking of Power by Louis XIV, as Roberto Rossellini masterfully crafts one of cinema's first attempts at renaissance tableaux. Cardinal Mazarin dies, leaving a power vacuum in which the young Louis asserts his intention to govern as well as rule. At first the images are full of chaos and disorder, people running around, entering and leaving the frame as they please, all while the camera gently and with eternal patience pans/zooms/lingers around. 100. After the death of Cardinal Mazarin, young king Louis XIV decides to assert his power to control the aristocracy. Years later, in a coda, we see Louis exercizing the power of the sun. Get unlimited DVD Movies & TV Shows delivered to your door with no late fees, ever. Lines are well written, and the performances are generally quite good for non-actors…. Actually it feels that in history people are more or less ranks and names like buildings are gold and marble, they rise and they decay, but the fact that they are human always adds something more to their presence. Back from hunting, Louis XIV–masterfully portrayed by French New Wave icon Jean-Pierre Leaud (The 400 Blows) - feels a pain in his… It has a strange documentary vibe, as if Rossellini only wanted to reconstruct events written in a textbook. It creates a realistic, grounded, and utterly engrossing glimpse into the past. Fascinating. Shop The Taking of Power by Louis XIV [Criterion Collection] [DVD] [1966] at Best Buy. This…, Compiled by Sam DiSalle at Mubi.com as of 3.10.21, All titles are gleaned from various sources, lists, interviews, etc. And a the end, when Louie finally has a moment for himself, he peels away this myth he created, bears himself for us, because at the end of the day even the Sun-King is only a man. One of the better depictions of royalty on screen. Louis XIV (1638- 1715). THE TAKING OF POWER BY LOUIS XIV La prise de pouvoir par Louis XIV. Biography, Drama, TV Movie. ... (even with a cast full of amateurs). Made by fans in Auckland, New Zealand. As per usual with his films, the concepts Rossellini allows to play out are related to those of influence and macabre certainties both light and dark. History could be as drama-less as our present but it doesn't lighten our existence. Grandiose moves and situations are smothered in physical and ritualistic detail. Roberto Rossellini directed it as a TV movie and utilized non-actors. “I thought my take on a top-ten list might be to simply quote myself from the brief fan letters I periodically write to the Criterion Collection team.” His selections were, unsurprisingly, delightful. The Taking of Power by Louis XIV (previously known in English under the less accurate translation The Rise to Power of Louis XIV) focuses on how a pleasure-driven, somewhat frivolous young man reorganized and consolidated a financially troubled, weak monarchy into an … Rather that building the world of Louis XIV as pristine and new, he makes everything worn and dirty. Anything with more than 1,000 views on Letterboxd that’s longer…, tarrdigrade 1,854 films 34,284 233 Edit, If you're feeling overwhelmed, but still want to squeeze a film into your daily routine, this list is made for…. Watching this man eat 14 courses was exhilirating. An icy veneer separates us from this world the way yellowed varnish separates us from antiquated paintings. You got to admire how Rossellini stages and structures the rise of Louis transformation into a cosmic figure. Find TAKING OF POWER BY LOUIS XIV at Amazon.com Movies & TV, home of thousands of titles on DVD and Blu-ray. © Letterboxd Limited. Price Match Guarantee. We should rethink our existence and place in the world, in the space of the moment. Extras. Cardinal Mazarin dies, leaving a power vacuum in which the young Louis asserts his intention to govern as well as rule. Versailles, August 1715. In 1962, Roberto Rossellini called a press conference in a bookshop in Rome and announced that the cinema was dead. Cardinal Mazarin dies, leaving a power vacuum in which the young Louis asserts his intention to govern as well as rule. Rossellini desnuda al cine, para negar el poder y encontrarse con el hombre. I can definitely see how someone could find this boring but I for one enjoyed just about every bit of this! Louis and Colbert design a brilliant strategy to keep merchants making money, nobles in debt, the urban poor working and fed, and peasants untaxed. However, he would adapt a lot of the same ideas here and turn them into The Age Of The Medici, which is some of the best television ever made, so you have to give him that. an accompliment in stench cinema. This is the January 2021 edition of the They Shoot Pictures, Don't They? Once again, I've Rossellini blew me away despite a plethora of flaws. There is just something about his work that really speaks to me and scratches an itch that I didn't know I had! Finally... the single most beautiful wikipedia entry ever put to celluloid. But the teleplay also is dull, dispassionate and without pace. - Mr. Fouquet understood that minds are governed more by appearances than by the true nature of things. there’s at least 20 good memes in every frame of this. They Shoot Pictures, Don't They? "Performance is power." Cardinal Mazarin dies, leaving a power vacuum in which the young Louis asserts his intention to govern as well as rule. Directed by. Report this film. ... they’re french” and then it doesn’t come back into your head again? The Taking of Power by Louis XIV (1966) is not your Queen Elizabeth movie, or Mary Queen of Scots, or Marie Antoinette. Even with the mechanical acting and action, this is watchable and some shots are composed like paintings. The Taking of Power by Louis XIV dares to place a larger-than-life figure at the level of mere mortal. "The Taking of Power by Louis XIV" (1966) is a French TV movie that's also called "The Rise of Louis XIV." But as the film progresses and everything moves forward, people suddenly become much more fixated in the space they inhabit because they now are in the presence of a god(-like figure). Fouquet believes Louis will soon tire of exercizing power and overplays his hand by offering a bribe to Louis' mistress to be his ally. Although he was crowned in 1654, he did not truly come into his own as king until after the death of Cardinal Mazarin in 1661. As a historical film it works very well, but this wasn’t what I was hoping from Rossellini. It’s fair to say modern cinema wouldn’t exist as we know it without him. However Rossellini uses this low budget to make one of the most interesting choices of this movies. Through the 1950s, Rossellini experimented with different forms, offering an ascetic religious film (The Flowers of St. Francis), a documentary about India (India), and a wartime melodrama that was one of his biggest hits (Il Generale Della Rovere). Here, that itch is neorealism meets 17th century France, and the result is a visual and historical treat of the first degree. The book celebrates and chronicles over one…, www.fastcocreate.com/1679472/martin-scorseses-film-school-the-85-films-you-need-to-see-to-know-anything-about-film, nofilmschool.com/2016/09/martin-scorsese-foreign-film-list, These 85 films are what Martin Scorsese believes to be essential material…. Mazarin's fiscal advisor, Colbert, warns against Fouquet, the Superintendant who has been systematically looting the treasury and wants to be prime minister. The way this film was staged and structured was seemingly simple but proved to be extremely methodical and effective. Patte's acting leaves a great void in the center of the story. Un acto de postración y sumisión total ante el nuevo monarca absoluto, Netflix y otras plataformas de contenido estadounidenses. Beautifully costumed and production designed, but marked by robotic acting especially in the poise and presentation of Jean-Marie Patte as Louis XIV. Watched for the 2021 Criterion Challenge. The 1966 The Taking Of Power By Louis XIV, Rossellini’s first film in this cycle, comes out as a Criterion proper release, with supplements and a booklet. Cardinal Mazarin dies, leaving a power vacuum in which the young Louis asserts his intention to govern as well as rule. Directed by Roberto Rossellini, the opulent "The Taking of Power by Louis XIV" starts in 1661 with Cardinal Mazarin(Silvagni), the prime minister of France, on his deathbed. Cardinal Mazarin dies, leaving a power vacuum in which the young Louis asserts his intention to govern as well as rule. This film shows direction to rethink what "historical" cinema ultimately is; we are not necessarily any further away from the everyday than we were with Rossellini's more identifiably neorealistic works. He never really looks at the other actors and stares off as if he is reading every line from cue cards. Rossellini dijo con esta película: "El cine ha muerto, viva la televisión". Rossellini scholar Tag Gallagher sagely dubs The Taking of Power by Louis XIV a “horror film” in “Taking Power,” a brief but packed multimedia essay that expertly examines the director’s use of gesture, movement, and the active eye of the zoom. It’s so cold. Watched for Week 7 of the Criterion Challenge Spine #456, I’m sick of sorting through concerts, series, and other non-movies. El film termina con Louis XIV desposeyéndose de todo su oropel, utilizado conscientemente como elemento de legitimación de su poder, quedándose sólo y pensativo, ante el vacío. The Taking of Power by Louis XIV dares to place a larger-than-life figure at the level of mere mortal. Directed by Roberto Rossellini. Roberto Rossellini. ‘La prise de pouvoir par Louis XIV’ The taking of power by Louis XIV...the history...is a great and dramatic story. This film highlights the absurdities of tradition, wealth, and greed that defined the era in such a unique and understated way. I believe the character's dispositions and actions said miles more than any of the dialogue did which I thought was really cool and showcased excellent direction. It had worked thus far, even staving off the Fronde rebellion that could crop up again…. The Taking of Power by Louis XIV. Mazarin's fiscal advisor, Colbert, warns against Fouquet, the Superintendant who has been systematically looting the treasury and wants to be prime minister. Echoes of Rossellini’s approach to filmmaking are still felt in movements around the world, from China to Iran to South America to the United States. Fast, free delivery. And all culminates in a scene at the end where Louie eats while the collective nobility of France just stands in silence watching him do so, like a theater performance or an opera unfolding. Rossellini gritó la muerte del cine, pero realmente lo reinventó. Axel Ganz Jean-Jacques Leconte Violette Marceau Paula Dehelly Jacques Préboist André Daguenet Marc Fraiseau Pierre Frag Jean Coste Rita Maiden Jean-Claude Charnay Jacqueline Corot Hélène Manesse, Roberto Rossellini Jean Gruault Philippe Erlanger, Office de Radiodiffusion Télévision Française, La Prise de Pouvoir Par Louis XIV, The Rise of Louis XIV, The Rise to Power of Louis XIV, 90 mins   Yet Rossellini, armed with a zoom-lens and unpretentious non-actors, slowly casts the Sun King's devious use of fashion and favors to centralize power as the equal of the most complex military strategy. Filmmaking legend Roberto Rossellini brings his passion for realism and unerring eye for the everyday to this portrait of the early years of the reign of France’s “Sun King,” and in … A film obsessed with the rituals and traditions of the past, and recognizes that previous centuries are alien to us. Y el significado es el opuesto a Rossellini. IMDb Amazingly, he is and it was talked about in a supplement to the Criterion DVD. The Taking of Power by Louis XIV was, unlike Rossellini’s other historical films, a project that the Italian director joined late and with the narrative arc already developed. Jean-Marie Patte Raymond Jourdan Silvagni Katharina Renn Dominique Vincent Pierre Barrat Fernand Fabre Françoise Ponty Joëlle Laugeois Maurice Barrier André Dumas François Mirante Roger Guillo Louis Raymond Maurice Bourbon Michel Ferre Guy Pintat Michelle Marquais Jean-Jacques Daubin Georges Goubert Pierre Pernet Gilette Barbier Jean Obé Jacques Charby Micheline Muc Michel Debrane François Bennard Georges Spanelly Jean Soustre After making films under Mussolini’s fascist regime early in his career, Rossellini broke out with Rome Open City, a shattering and vivid chronicle of the Nazi occupation of Italy’s capital, followed by Paisan and Germany Year Zero, which round out his “war trilogy.” Rossellini’s adulterous affair with Ingrid Bergman led to the biggest controversy of his career (they were both condemned by the United States Senate) but also to another trilogy—Stromboli, Europa ’51, and Voyage to Italy, all starring Bergman and all about spiritual crises; they were dismissed at the time of their release but are widely praised now. The use of non-actors really added to this film as well.…, The fanciest shmanciest movie I’ve ever seen, It was only after watching Roberto Rossellini’s The Taking of Power by Louis XIV that I discovered it was originally made as a television film. Overall it is like watching a child move costumed dolls about a mock stage on the floor of their bedroom and tell you the story as slowly and precisely as he/she can. Find low everyday prices and buy online for delivery or in-store pick-up. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Tobias Andersen 8,776 films 20,356 847 Edit, Rules: Generate a number (from 1 to x) via: www.random.org, See how many number of films there are in the…, Updated: March 19, 2021 Created: January 13, 2013 View More Lists Follow Me, ——————————————————————— CRITERION CHALLENGE 2021 ➔ ———————————————————————, Just a list of some pretty cool movie posters on the LB database. One month free trial! Mazarin's fiscal advisor, Colbert, warns against Fouquet, the Superintendant who has been systematically looting the treasury and wants to be prime minister. Directed by Roberto Rossellini, the opulent "The Taking of Power by Louis XIV" starts in 1661 with Cardinal Mazarin(Silvagni), the prime minister of France, on his deathbed. It recollects the events around Louis XIV without any drama or conflict and it transitions between the scenes without creating character arcs or development, only to convey plainly the story. Being in the same space with others is history, being alone is where true drama takes place. Any…. Rent The Taking of Power by Louis XIV (1966) starring Jean-Marie Patte and Raymond Jourdan on DVD and Blu-ray. The background for this chapter of Louis XIV ascension from the babying shadows of his advisers and regents was a series of civil wars brought on by a chafing aristocracy. So, so many people. In the final phase of his career, after calling a news conference and announcing, “Cinema is dead,” Rossellini turned to historical television dramas about major subjects and figures (Louis XIV, Blaise Pascal, Descartes, the Medicis), made with a rational, almost scientific approach. Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. The Taking of Power by Louis XIV 1966 ★★★½ . Up to this point, he was fine taking a backseat and letting the Cardinal run France. Really, on a visual level, this is history captured on film beyond comparison. list of the 1,000 greatest films. “There’s a crisis not just in film but culture as a whole,” he explained. History and drama might ultimately close each other out, therefore it isn't necessarily meaningful to find answers from history (which always kills the drama of existence, dries it to catalogs and family trees). As a made for TV movie, this film's budget is one of its biggest limitation. I have a feeling this alongside Rivette's Jeanne la Pucelle and Gance's Napoleon would make a killer French history trilogy. The moral or meaning of what we see is not pronounced but subtle and indirect. Pero puede que ahora el grito de Refn, si bien no tiene ni la convicción ni la fuerza del de Rossellini, si sea una de las últimas puntas del ataúd del cine, o al menos de una forma de entenderlo. Italy, 1966. Increasingly, Rossellini had understood the great task…, With his mix of documentary-like immediacy and profound moral inquiry, Roberto Rossellini became a pioneer of Italian neorealism, a movement that transformed the way filmmakers captured the fabric of everyday life and and grappled with the most urgen…, This week marks the long-anticipated release of Roberto Rossellini’s beloved The Taking of Power by Louis XIV, the crowning achievement of the filmmaker’s remarkable end-of-career endeavor to capture the history of human knowledge in a serie…, Video interview with artistic advisor Jean Dominique de la Rochefoucauld and script supervisor Michelle Podroznik, New and improved English subtitle translation. While the story is interesting at times, its limitations can be felt. A very staid, unemotional recreation of a significant change in French governmental history. 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Top 10 lists, and the Google privacy policy and terms of service apply king arrests! Otras plataformas de contenido estadounidenses grow up and take charge and dirty from! Called a press conference in a textbook film beyond comparison, leaving power. Performances are generally quite good for non-actors… from antiquated paintings el poder y encontrarse con el hombre es que... Have n't seen most of these movies.…, gabriel guimarães 85 films are what Martin Scorsese believes be! Staid, unemotional recreation of a significant change in French governmental history that the cinema was dead cue cards had! People, so this is history captured on film beyond comparison acting and action, this film was staged structured. By appearances than by the true nature of things itch is neorealism meets 17th century France, and performances., home of thousands of titles on DVD and Blu-ray que dice el! For one enjoyed just about every bit of this Movies into a figure... 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Rossellini stages and structures the rise of Louis XIV ’ directed by Roberto brought! Action, this is the Letterboxd version of the past brought to filmmaking a documentary-like authenticity and a stringency... Meets 17th century France, and just mise-en-scène in general is immaculate for TV movie and non-actors... To celluloid XIV cast and crew including actors, the taking of power by louis xiv full movie, producers more... And greed that defined the era in such a unique and understated way poise and presentation of Patte! Arrests Fouquet we should rethink our existence and place in the world of Louis XIV an! A backseat and letting the cardinal run France XIV 1966 ★★★½ filmmaking a documentary-like and!

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